To celebrate the film’s indelible legacy, we spoke to many of the players behind it-three decades later, every last one of them has become a legend in his or her own right. 15th has Wild Style looking more vibrant and pristine than ever. The Beastie Boys and Cypress Hill both used snippets of dialog from Wild Style for classic early-’90s albums while Nas, De La Soul, and AZ are among those who have sampled the movie’s angel-dusted soundtrack and score.ģ0 years later, a new, remastered Blu-ray and DVD re-release is in stores on Oct. Released independently in a handful of theaters, the movie wasn’t a box-office smash, but future generations of hip-hop fans and artists alike made sure it remained a cult classic. The year the film was released, Run-DMC dropped their first single, “Sucker MCs,” and hip-hop quickly began exploding from a local sound to the global juggernaut it is today-which has only made Wild Style, with its pitch-perfect time capsule of hip-hop culture in its adolescence, that much more indispensable. It’s become a Magna Carta of sorts, a founding document for a culture that at that time was unknown beyond the streets of the five boroughs. The film is defiantly low-budget and raw, but that didn’t lessen its impact. The setting is hip-hop’s nursery, the South Bronx, at its run-down grimiest the leads are played by real-life graffiti legends Lee Quinones and Lady Pink, then fresh-faced street kings Fab 5 Freddy co-stars, and the Rock Steady Crew is shown busting moves pioneering rappers and DJs such as Grandmaster Flash, the Cold Crush Brothers, Kool Moe Dee, Busy Bee and other old-school legends are captured performing in their prime. It’s not a documentary, but at time it feels like one. Released in 1983, Wild Style covered all four elements of hip-hop-graffiti, MCing, breakdancing, DJing-in the culture’s earliest days. The best film ever made about hip-hop is also the first: Wild Style.
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